Master Tim Coaching

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The Master’s Voice #25: The Art of Spanking. Part 2

In part 1 we looked at the background to spanking as anc40f1188c02516aa0a64b41978b6b83a erotic BDSM activity. Now it’s time to deal with some of the practicalities. I’ve identified six stages of any spanking session,  so we’ll go  through each of them in some detail. The choreography of each session means that some of these stages may be quite fluid. Although you need to arrange positions at the start, I prefer to describe the warm up first.

Warm Up

This sets the pace of the session and is essential if you want the most amount of fun with the least amount of damage. A good master is never a bully and can deliver a far greater sense of authority by appearing patient. For me the warm up begins long before you position your subject or deliver the first slap.

The physical part of the warm up builds on what you have achieved with your voice and demeanor. Start by massaging the bottom and then spank it gently until it begins to glow. Pause and massage some more while using your voice to subdue, chastise, or relax the spankee. I sometimes like to combine this with the almost ritualistic disrobing of the sub e.g. massage, spank, remove outerwear, massage, spank, remove underwear, massage, spank, proceed.

The pace and delivery of the warm up has two main objectives. The slow methodical build up combined with the use of your voice will build anticipation in your subject. The second objective is the physical one. The initial gentle spanking increases blood flow to the area you are beating. This serves to cushion the blows so allowing you to spank for longer before discomfort terminates the session. It also serves to reduce the bruising.

Of course a great many of the feelings we generate are the result of changes in body chemistry. The warm up serves to increase the flow of endorphin’s which are the body’s own pain/pleasure hormones. This will increase the arousal felt by the subject.

Posture & Positioning

One of the factors which defines spanking is the almost ritual, sometimes ceremonial positioning of both participants. That’s not to say that you can’t indulge in the occasional spontaneous spanking but the ritualised scenes will bring out the best responses. The position adopted by the spankee can greatly enhance the spanking and amplify the feelings for both participants.

6b8eea61ce87dc21ba893af102f9dfc4Over The Knee

OTK spanking as it is known, is the most commonly employed position for most people. The spanker sits upright on an arm less chair or on the edge of the bed. The spankee is laid face down across the spanker’s lap with their head angled down and away from the spanking arm. The knees should be dropped and tucked under the spanker’s thigh with the bottom angled up towards the spanking arm.

The non spanking arm should be pressed against the back of the head or shoulders and taps from the spanking hand can be used to position the legs as required.

Feet should rest on the floor but the full weight of the spankee should be on the spanker’s lap. Hands can rest on the floor or grip the chair or bed.

I like to reach across and hold the spankees right hip and place my elbow on their back to stop them wriggling off. If their right arm comes up in defense it can be grabbed by the wrist and pulled across the lower back to keep the spankee in place.

Purist will differentiate this over-the-lap style from true OTK spanking. Here a right handed spanker will hold the spankee bent over their left knee while using the right leg to restrain the spankees legs.

Grab Your Ankles8937e2ec32830263036e28909e29e4ba

This style is often used in fantasy sessions such as school-style punishments. For this reason it is quiet likely to be used for paddling or caning sessions so I will deal with it in more detail in a CP blog.

Grab Your Knees

Similar to grab your ankles but better for those who may not be so flexible. The bottom is also better presented and the back can be arched to enhance this. Feet should be shoulder width apart with hands placed on knees or thighs. The ceremonial position should be enforced with the spankee made to lift their head to look at a spot on the wall in front of them. This underlines the feeling of submission whilst serving to arch the back to better present the bottom.

Over The Desk/Table

For school or office-style fantasy play. The subject bends over a desk or table with their chest pressed on to it. Hands reach overhead if possible to grip the opposite edge. The height of the spankee or the length of their legs will determine the position of the bottom for paddling or spanking.

Over Pommel Horse or Bar Stool.

Similar to desk but better presentation of a relaxed bottom since the subjects legs may be hanging loose with their hands gripping the legs of the stool.

Kneeling On A Chair

One of the best positions for presenting a well turned up rump. The spankee kneels on the seat pad and leans over the back of the chair with their thighs in a vertical position. Now the upper body is mostly unsupported and so the back can and should be arched to raise the bottom.

1299a16f43ae569b89d18a8cd4ec50a7Laying on The Bed

This can be a great position offering comfort to the subject who is to receive a lengthy spanking but you need to be aware of its short comings. First of course is that the spanker may not find spanking so easy if they have to lean over the bed. Secondly, in order to present the bottom, it needs to be raised up by placing three or four pillows under the midriff. Another reason for this propping up is the need to prevent clenching. When the body is straight as in standing upright or laying flat and face down, the subject will be able to clench their cheeks together and this will considerably reduce the effects of your slaps. The body of the spankee needs to be bent to some degree to ensure a relaxed and bouncing target.

So now, we have warmed up our subject and positioned them for our pleasure. It is time for the main event. In the third and final part, I will describe the delivery of the spanking and how to pace it for the best effect.